The Rebelles release debut album

Many of you might have come across The Rebelles in the past, a vocal harmony group fronted by Tracie Hunter & Elizabeth Westwood who put a different spin on punk standards. They even supported The International Swingers at the bands only UK gig to date back in 2013 albeit with a slightly different line up.

For years there has been promise of a guest laden debut album and after much patience it is finally available to order!

Amongst the many familiar names that feature on the album those that will be of particular interest to Alarm fans are James Stevenson, Clem Burke, Glen Matlock & Slim Jim Phantom who appear alongside Mick Jones, Ian Hunter, Earl Slick, Kenney Jones, Chris Spedding, James Hallawell, Chris Musto, Neil Gabbitas and Paul Stacey.

Order the CD directly from Tracie Hunter for just £12 inc postage in the UK, £13 for Europe and $20 for those in the USA. Paypal traciehunter@icloud.com remembering to give your address!

As you can tell by the track list the original punk idea has broadened to take in a wider range of genres and the album features the following songs:

All The Young Dudes
Cracked Actor
Hanging On The Telephone
Motor Bikin'
Stay With Me
Should I Stay Or Should I Go
Stray Cat Strut
The Last Time
Sorrow
Walk On The Wild Side

James Stevenson "40 Years" A selective Interview!

For 40 years James Stevenson has lent his unique talent to a massively diverse selection of bands & solo artists with the release of "40 Years in the Rock 'n' Roll Wilderness (a Selective Retrospective)" you can now marvel at the diversity while enjoying some truly great music....and guitar solos!

What made you decide to release a retrospective?

It’s something I’ve been thinking about for a few years. The logistics were quite complicated, getting all the right permissions etc. but I kind of wanted to do it for myself – me being the only common thread. I think it’s an interesting collection – and also I wanted to introduce people to some of the lesser known artists whose work I really admire and to introduce fans of one band to others I play in.

Why now?

The time just felt right. It’s actually taken about two years to sort it all out.

With such a long and broad career how did you go about choosing which tracks to include?

Tons of different factors. It was hard. I would have loved a Scott Walker track on there, but sometimes the logistics were too complicated or permission was impossible to obtain. I had to like the track myself. I know that sounds weird but I have played on stuff I didn’t like just to pay the bills.

What was it like revisiting some of the more off the beaten track songs during your selection process?

That for me was a really enjoyable part. I hadn’t heard the Charlie Harper song for years. The Gary Holton track was something I suddenly remembered at the last minute and knew I had to include it.

The album kicks off, quite rightly, with “Urban Kids” by Chelsea, recording that must have been pretty special considering how young you were at the time?

Yeah I was nineteen I think. Kit Lambert produced it. Working with him was really great. I think that was the first time I played proper lead guitar on a record.

I’m guessing from some of the absences of material reflecting parts of your career you may not have been able to secure the rights for some songs?

Well everyone was really helpful. Billy Idol’s manager refused me permission for the Gen X track – so I went to Tony James who got them to change their minds – so I owe him for that. When I went to Beggars for Desire by Gene Loves Jezebel they just said I could have it “gratis” which was really sweet of them – usually you have to pay an advance. Obviously it’s easier if a mate, or you yourself, own a recording.

There's nothing representing your time in The Cult?

Well I’m not on any Cult recordings. I’m sure no guitarist except Billy Duffy ever will be. I was just a hired gun. There might be the odd live recording with me on it but I was never a member of the band – I was just a hired gun, so it never entered my mind to try to include a Cult track.

What made you choose “Andy Warhol” by Gen X ? Does it have fond memories or is it a nod to your present Bowie connection with Holy Holy?

I just thought it was a great version – very different to Bowie’s. The band really gave it our own slant. And I suspect many people have never heard it. Dancing With Myself would have been a bit too obvious.

You’ve said on social media before that one of the favourite things you ever did was the Henry Badowski album “Life Is A Grand…” I’m guessing it’s not an album that most people are familiar with, what makes it so special to you?

Well I was in bands at school with Henry so I’ve known him virtually my whole life. He’s a very talented and unique songwriter and instrumentalist. Yeah, he just made that one album for A&M in 1981, but he still has a cult following. I’ve often tried to talk him into recording new material commercially, but he hates the music industry.

Your start with Chelsea & Gen X doesn’t seem a natural fit to bring you to Kim Wilde & Annabel Lamb what was it they wanted you to bring to their sound?

Well things just happen along the way don’t they? Mickie Most got me in with Kim because he wanted there to be a band in the Kids In America video. I only play on a few tracks on her first two albums. Annabel was really just a session. Wally Brill who produced the first Chelsea album was producing it – so he knew what I sounded like and wanted a bit of that on the song. She went on to have a hit with a cover of The Doors’ Riders On The Storm of course.

I thought I knew most of the acts you’d been involved with, baring some of the sessions maybe, but The Hot Club and The Smart are new ones to me! What can we expect and what made them essential tracks to include on “40 Years…”?

Well Hot Club was the first band I had with Glen Matlock. We only made two singles, both with different singers. Steve Allen from Deaf School and The Original Mirrors is on the track I chose, which was a B side. When he left we got Clark Datchler in. He and Calvin went on to form Johnny Hates Jazz. It was kind of an unfocused band – but still important to me because it got me out on the road again which I hadn’t done for a while because I’d been a professional mimer with Kim for over a year. As for The Smart let me make it clear at the outset the name The Smart was nothing to do with me LOL. Dave Martin the singer was the rhythm guitarist in Chelsea and he and Geoff the bass player left to form The Smart in 1980. They asked me to join a couple of years later. We made an album that never got released at the time. Epic kept saying they were going to sign the band but never did – typical of the industry at that time. I actually really like the album – you can get it now – so I had to include a track.

Many will know Gary Holton from his acting career in Auf Wiedersehen, Pet or musically for his time in Heavy Metal Kids so where does The Gang Show fit in?

Well just after Hot Club, Glen and I formed a band with him. As well as an actor he was a rock and roll legend of course. I don’t think Big Tears has ever been released before. I just realised I had to include it right and the end of compiling 40 Years. I remembered it in the nick of time. I saw The Heavy Metal Kids at The Biba Rainbow Room when I was about fourteen and they were brilliant – especially Gary. I think I went to that gig with Henry Badowski actually……

For those that haven’t heard it before it may surprise some people that you feature on “Brand New You’re Retro” by former Massive Attack member Tricky which is very different to the genres that you usually favour.

Yeah – you end up on all sorts of records along the way LOL. I actually loved playing on Maxinquaye – I’m pretty sure I’m on a lot of it – but only got credited on this one track.

Was it difficult trying to mix different genres into a working running order?

No – it’s more or less chronological except here and there where I’ve kept tracks by the same bands next to each other in the running order. For example Desire and Break The Chain by GLJ are about seven years apart time-wise but I kept them next to each other on the CD.

When you approached this project did you have certain essential cornerstones that you had from day one or was the selection process fairly fluid?

The track-listing changed all the time. I was mortified when I first got refused Gen X – although I wasn’t in the band for long it was an important part of my career I felt I had to include. The cornerstones were the bands I feel are most important in my career – Chelsea, Gen X, GLJ, The Alarm, The International Swingers and Holy Holy.

Did you have any trusted friends that would suggest songs to you or give you a deciding vote if you were stuck?

Yes a few people. There are friends you respect whose help you engage when you can’t make a decision. Jules Peters vetoed the original cover LOL – which I’m glad about because Karl Parsons came up with a brilliant one after that.

What tracks were on the short list but didn’t make the final album?

It was especially tough deciding which tracks to include from the first Chelsea album and also The Smart. I nearly went with Something’s Got To Give from Under Attack too because I love the song. Also from Chelsea’s Faster, Cheaper And Better Looking – Cosy Family Way almost didn’t make it but then I decided I really liked the guitar solo LOL.

You’ve chosen just 3 songs to represent your work within The Alarm, “45 RPM”, “Superchannel” & “My Town” what is it about them that stands out for you above others?

Well Superchannel and 45 were both hits, that’s why I went with them. Then it was a toss up between My Town and Something’s Got To Give. Tough choices.

You’ve not chosen anything from your latest albums with either Chelsea or Gene Loves Jezebel is there any reason for this?

I just felt they were too recent – I’m really proud of both Mission Impossible and Dance Underwater - they need to be listened to in their entirety – for now anyway.

Your collaborations with Glen Matlock see you choose 2 tracks from the Philistines & 3 from The International Swingers. Now that Glen has left the Swingers do you have any plans to work together again?

Well John Carlucci’s been playing bass with The Swingers and he’s worked out great. But with Glen never say never, I guess. He told us the reason he didn’t want to do TIS anymore was that he wanted to stop playing bass and concentrate on being a singer songwriter. But recently he’s been playing bass with Clem and Walter Lure in The Heartbreakers so who knows.

The retrospective closes with 2 tracks from your excellent solo album “Everything’s Getting Closer To Being Over”, I remember you saying you were writing a follow up album so what’s the latest and how long will we have to wait to hear it considering how busy you are?

Well I’ve written the title track – it’s called The Other Side Of The World. It’s about my younger brother Dave and his battle with early onset Alzheimers. It’s been absolutely fucking heartbreaking

Are there any plans for a Vol. 2 if the album is successful?

Hadn’t thought of that. Maybe, although getting this one together has been a monster job.

Lastly……what can we expect from James Stevenson in 2018?

Well there’s a lot of Alarm in the diary. I want to get out and promote Dance Underwater with GLJ because I think it’s such a great album. Holy Holy too of course and also there may be some stuff with Daphne Guinness whose album I played on courtesy of Mr. Visconti. Sometimes I don’t know what to expect to come round the corner myself……

James, as always it's been amazing! Thank you & see you at the Gathering!

"40 Years in the Rock 'n' Roll Wilderness (a Selective Retrospective)" is available to order now for just £15 plus £3 p&p! Just CLICK HERE for details!

Be part of The International Swingers Pledge Music campaign

"Whatever Works Now" is the debut album by The International Swingers and you can help make it happen!

The band will be recording the album during November and as usual with crowd funded campaigns there are a load of rewards to suit all tastes and budgets from downloads, signed CDs, handwritten lyrics to a full band concert!

5% of sales will also be donated to LHS.

I've been waiting for this one for a long time now and have already put my money where my mouth is....check out what is on offer and get involved HERE!

Swingers dates change!

The two International Swingers dates that I've previously posted have been rescheduled by a week. The band will now play the Farmers Market on Saturday 18th January and Red Balls Rock N Roll Pizza the following night.

The International Swingers Shows!

Straight into action this year....The International Swingers are playing two free shows in CA - the second of which is to be filmed for a TV broadcast. What's more - there will be no door charge!

JANUARY 2014

11th Farmers Market (3rd & Fairfax)
12th Redballs Rock & Roll Pizza Moorpark

SLF & Glen Matlock confirmed for Rebellion Festival

Stiff Little Fingers have been confirmed for the Rebellion Festival as well as Glen Matlock & The Philistines and other high profile acts such as Killing Joke. The festival takes place over four days with over 200 bands from the 7th to the 10th of August 2014 in Blackpool. Weekend and day tickets are on sale now HERE

Gary Twinn - Forming The International Swingers

When I recently asked Gary Twinn how The international Swingers had formed and who had bought who into the band he decided he had the perfect answer - his diary!

So here it is, with many, many thanks to Gary - the diary he kept while the band formed and played it's first gigs down in Australia!

The International Swingers (Forming the band)

Saturday 19th of November, 2011.

James and Glen flew into Los Angeles tonight. I drove over to James' North
Hollywood flat, then we went to meet Clem at The Fox and Hounds. The pub was
packed and the band playing was great. Clem explained that two of the guys were
from The Cowsills, the band that 1970‘s TV show The Partridge Family was based
on. Anyway, they were doing loads of 60's classics, Beatles, Stones, Beach Boys,
Hollies, and the vocals were spot on. A few beers were shared and plans made to
meet at a North Hollywood rehearsal studio next afternoon. We were creating a new
band that, up until now, had been just an idea, a theory.

About a year before I'd had a call from, Australian tour promoter, Bicci Henderson
who suggested I put together a new group for a tour later in the year. James was in
LA at the time and we got to talking about doing something where we could play
some of our old songs, plus punk and rock and roll classics just for fun. He called
Glen, who liked the idea if he could fit it into his schedule. As well as touring under
his own steam with The Philistines, Glen is performing bass duties with The Faces.
Our first choice for drums was Clem. He'd played with Glen many times and been
part of the Honey-dippers rockabilly outfit with me. Months of planning and schedule
juggling had taken place and now we were all in the same place and ready to see if
we could make a theoretical band "The International Swingers" a reality. We had
booked a warm up show at Skinny's Lounge, a local bar, for next Sunday. We were
to fly to Melbourne the following day.

Sunday 20th

We all arrived around 1.30pm and, with the assistance of studio manager Mark
Christian, set up our gear, instruments and the PA to our liking. A few weeks before
James and I had made a list of possible songs and the plan for today was to run
through it quietly and figure out chords and arrangements. Well that was the plan,
but as soon as I heard James checking his amp by way of a crunching version of
Cracked Actor I knew that quiet was out the window with this line-up.

There were about 30 songs on the list and we ran through almost all of them and
discussed which ones sounded right for us and which didn't. Some, such as Ooh La
La, got chucked immediately. Then we added some, like Friday On My Mind. I think it
was James's idea because of the Easy Beat's Australian connection. After all we
were rehearsing for an Australian tour that was little more than a week away. Clem
suggested The Romantic's What I Like About You, and said he'd sing it.

We played, drank coffee, and played more into the night, finally ending around 11pm.
Over drinks and food at The Federal Bar, we discussed the upcoming tour, the song
list, and plans for Monday's rehearsal. Thursday was Thanksgiving and Clem's
birthday, there'd be no practice that day, so we had to start nailing the songs by
Wednesday.

Monday 21st

Monday was another intense work out. After 10 hours of singing the day before my
voice was more than a little raw and my mind was awash with chords and words but
on we went. Beginnings, endings, solos, backing vocals, arrangements, Glen and
Clem both had a great sense of how all the parts should fit together and by the end
of the night it seemed we were getting somewhere.

Tuesday 22nd

LA traffic can be a nightmare so by the time I arrived at the studio the other guys had
been hard at it for a couple of hours and as I walked up the stairs I was blown away
at how great they were sounding. This morning I'd printed out the tour itinerary, which
was sent to me by Bicci, It was looking good.10 dates across the country, the last
three in Perth, Western Australia. I'd lived in Perth, my Mum and family are there as
well as some of my best friends. I handed out copies of the new set list and some
lyrics we needed, grabbed my guitar and joined the band. Another long
afternoon/evening was capped off by a well deserved visit to the Fox for a beer.

Wednesday 23rd

I had a bunch of things to get done today before practice. Pick up dry cleaning, get
my leather pants from the menders, pick up wine for tomorrow's festivities. The sun
was shinning, and I was walking along 3rd Street when my phone rang. It was Bicci.
'Hey' I said, 'I'm on my way to meet the guys. How's it going?'
"Not great' he replied. 'The tour is cancelled'. He started to explain, but the shock,
mixed in with loud traffic was making everything he said into a babble.
Call me back in five minutes, I told him, so I could get to my car and head over the
hill to our rehearsal studio. When Bicci eventually called again I got the story. The
Perth shows were booked through an agent out there who had become concerned
that advanced ticket sales were slow. Most club shows are walk up rather than
advance sales but this guy wouldn’t take the chance. Without the Perth guarantee
Bicci wasn't sure he could pay the tour costs, band, crew, equipment,
accommodation, airfares, etc, etc.

I called James, told him the news, and said I was on my way. Once again LA traffic
was not helping. Glen phoned and said to meet at Starbucks. When I got there the
first thing Glen said was 'Don't worry, it's not your fault'. Clem was equally gracious
saying how this kind of thing happens all the time. James, the ultimate pragmatist,
said ‘Let's get Bicci on the phone and sort something out’. On the speaker phone
Bicci explained the situation to us all and we bombarded the poor guy with questions.
What about one date in Perth or just the east coast?
He promised to look at the options and get back to us.

"Well" said James "we're still doing the gig on Sunday, right?" We all agreed, and off
we went to the studio. By now the set was shaping up but we decided to cut a few
numbers because it was running a bit long, especially if we were not heading for
Australia any more.

A friend of Clem's dropped by the studio and after we'd finished we all set off to
Clem's local sushi restaurant. James and and I stopped off on the way and picked
up a bottle of champagne and a card for Clem's birthday. The conversation was a
mix of disappointment, positive ideas and discussion about what to do with what was
starting to sound like a pretty good band. Everyone had planned to be away for
almost four weeks so we had time on our hands. After dinner the waitress bought out
some green ice cream with a single candle on top. We sang happy birthday to Clem
and declared we'd stay upbeat and enjoy a day off for Thanksgiving.

Thursday 24th

Thanksgiving. I cooked and we opened a bottle of champagne, both as a gesture to
keeping positive in the face of disappointment, and in my case to wash away the
blues.

James and Glen came over and other friends, Uschi, Stash, and Tressa, joined us
for dinner. Afterwards, at Stash's request, we picked up the guitars and banged out a
few of the numbers we'd been working on all week. Stash has been on the scene
since the swinging sixties in London and was even in Vince Taylor's band. He loved
what we played and said he would definitely be at the gig on Sunday.

Bicci called, he was working on something, maybe just Melbourne.

Friday 25th

Feeling the effects of the red wine from last night I met Clem, James and Glen at the
studio. Before we quit on Wednesday we'd figured out the set list, where each
number should go, so the show would have some dynamics. Now we started to play
the songs in that order and with minimum use of cheat sheets.

Another friend of Clem's showed up. Merwin is a great guy; funny, amiable and full of
rock and roll stories. He was critical and encouraging about the tunes we were
playing and it was great to get another point of view of what we were up to. That
being said, we still didn't really know what we were going to do after Sunday's show.
By nine o'clock we were done and decided to eat Indian food. The restaurant was the
closest to a British Indian place I've been to in LA. The food was delicious, and we
ordered way too much. About half way in my phone buzzed and I opened my email.

It was Bicci.

Hi Gary,
Talk this over with the guys and let me know your thoughts
Fly into Melbourne as scheduled and we play the two shows there and then do the
Sydney show making it a three show run.
We all looked at each other. ‘You know Bicci best, Clem said to me, is he just doing
this out of guilt or can he really pull it together?’
Let's call him. So there we were with my phone on speaker chatting with a guy on the
opposite side of the world about whether or not we should take a 14 hour plane trip
in less than 72 hours.

Ok, that was it. We all agreed to give it a shot. The International Swingers were going
to Australia.

Saturday 26th

I hooked up with Glen and James at the Guitar Center to buy strings, picks, etc. An
hour later we arrived at our studio where we were greeted by Clem and Robert
Matheu, one of rock and roll's finest photographers. I'd met Rob before but it had
been a while since I'd seen him last. Clem had invited him down to take some photos
of the band. The studio is in an industrial area and we posed around the street
outside the ware houses, next to Clem's car, then on the stairs and eventually inside.
In no time Rob said he had what he wanted and so once again we set to work on the
music.

The week had flown by but at last it all seemed to be gelling. Two or three runs
through the set, a couple of tweaks and it was time to pack up and get ready for
tomorrow's debut gig at Skinny's.

Sunday 27th

Skinny's Lounge is on Lankershim Boulevard in North Hollywood. Owned by Jeremy
Thomas, it has a fantastic vibe, great staff and the sound system is top-notch. During
the week they feature DJs and indie bands. Saturday night is all about burlesque,
with all the trimmings. Needless to say, we had visited Skinny's on Saturday night,
just to check on the stage, and lighting of course.

The International Swingers debut was to be a Sunday show, a matinee gig, opening
with local band, The Chequers. Within seconds singer Julie Green, and her boys,
blew away any sense of a lazy Sunday afternoon playing a set of full on power pop
rock and roll. Next was Patrolled By Radar, another LA based band, who are gaining
notice across the United States. Their authentic mix of American roots music, with a
splash of sixties Brit pop, sets them apart from other local bands, and this evening
they had the crowd begging for more.

Earlier in the afternoon Glen, James, Clem, Merwin and I had set up and checked
our gear. At 7pm it was time to hit the stage and find out if the labors of our weeks'
rehearsal would bare any fruits. We came on, the lights went up, the place was
packed, and as Clem counted us into the first song, Out Of Control, the audience
surged forward and the sparks flew. Three minutes later Out of Control's last chord,
C, clang, then bam, E minor and we're into Hanging on The Telephone. The surge
from the front was huge, the whole joint was dancing, shaking all over, rocking and
rolling.

Friday On My Mind, I'm Not your Stepping Stone, Fall in Love With You, I Like It Both
Ways, all thundered along. Next up Glen took over lead vocals for Burning Sounds,
and the crowed loved it. James introduced Jealous and the goths in the audience
pushed forward. What I Like About You featured Clem on lead vocal, with the rest of
us on back ups, and me playing the harmonica solo. By the time we went into Stay
With Me everyone in Skinny's was singing along. All The Young Dudes showed off
our four part vocals, then Call Me turned the room even crazier. The first notes of
Pretty Vacant sent them right over the edge, with a massive spill of punters onto our
stage. Glen and I traded off on lead vocal with an extended sing along at the end.
We said goodbye, but came back on to finish them off with Come On Everybody,
God save The Queen and No Fun.

Thank you and good night.

Just over an hour, and The International Swingers had played our first ever gig. You
couldn't ask for a better audience reaction. When we came out of the dressing room
Skinny's was still full of friends, fans and fellow rockers, including Stone Roses' Mani,
and Blondie bass player Nigel Harrison.

Amazingly it was still pretty early on a Sunday night, so it was off to The Federal Bar
for some dinner and a quiet celebration before flying to Australia the next day.
Monday 28th; 11.45pm, LAX, Qantas Flight 11 to Melbourne, Australia.

Yeah it's a long flight. In fact, come to think of it, if you go any further you're actually
coming back. But, Qantas treat you well and after a decent meal and a couple of
glasses of wine I got my head down and slept for a good amount of the way.
Because of the time and season differences 13 hours after leaving Los Angeles on a
Monday night in winter we arrived in Melbourne on a Wednesday morning ( Tuesday
had completely vanished) and it was summer. We were picked up, along with guitars,
and driven to the Medina Hotel in St Kilda. In the past St Kilda had a reputation as a
rough, bohemian part of town, full of hookers and skinheads. Located by the beach
in the Port Arthur Bay it has now become gentrified and groovy, with lots of cafe's
and trendy bars. Right next door to the hotel was, appropriately, the Next Door Cafe
and that is where the four of us spent our first afternoon. It may have been summer,
but in Melbourne that doesn't mean it's going to be sunny, and it wasn't. It was
pouring cats and dogs so we decided to chill and enjoy a relaxing day off with some
Aussie beers.

Thursday was equally chilled out. I try to go for a run every morning, as does Clem,
so I was really digging pounding the pavement of a new town, running along the
waterfront, taking in the fresh air and sights, working up a sweat and all around
feeling great.

Even better, when I returned to the Medina Bicci called to say that pre-sales tickets in
Adelaide were so good that we'd be going there between Melbourne and Sydney.

Friday, December 2nd

Bicci drove us to Geelong, about 100 miles outside Melbourne, for our first Aussie
show. It may be a country town but the punters were 100% Rock and Rollers. They
gave us an enthusiastic welcome and we gave them our best in return.
After the show we stayed and chatted for a bit, took some photos then headed back
to Melbourne.

Saturday 3rd

Saturday night's gig was at the Corner Hotel in Richmond. A pretty large club, we
could have done with a few more bodies in there. But, the audience were nothing if
not loud and raucous. There were a couple of guys in front who where obviously very
dedicated Twenty Flight Rockers fans. I've gotta admit it felt a little weird singing Fall
in Love With You, as they looked back at me, pointing, and enthusiastically singing
along with every word. And remember this is coming from a guy who wrote a song
called I Like It Both Ways.

There were a couple of problems tonight; Glen's amp died, but there was a spare,
and I broke a string (with no spare guitar). But as Clem jokingly poked fun at us for
our lack of professionalism I started to see that we were becoming a true band of
entertainers, warts and all. With great playing, good ideas, talent, humor and,
actually, a real professional attitude. By now we pretty much knew all the songs
inside out and the stage banter had become a part of the show. In my other bands
I'd always been lead singer, therefore spokesman. But here, there were four people,
with plenty to say, and stories to keep all the fans happy. In fact, one writer
suggested that we didn't need to play but just tell tales of yore. What-ever.
For this show we added a second encore, but we didn't leave the stage, just put
down the instruments, Clem came out front and we asked if they wanted another
song? Seemed fair to us. Less pretentious than walking off and expecting applause
and also a bit more interactive with the fans. If they really want it then we do too.
So, Zowie, Bam "Born To Lose", one of my all time favorite songs. I'd played that
Heartbreakers EP 'til it wore out.

Sunday 4th

Needless to say; everyone slept in.

Clem has some good friends in Melbourne and that afternoon we headed over to
theTote Hotel to meet them for a special 30th anniversary party. Apparently this place
has been hosting great rock and roll shows since 1981 and tonight's was no
exception. The first band, The Spazzys, blew me away. Three awesome girls, bass,
drums, guitar, playing full on power-pop-punk; like the Ramones meets the Surfing
GoGo's. Their songs are catchy, they look brilliant and I'm a fan.

The show was truly topped by Guitar Wolf, from Japan. I don't really know how to
describe their music. It's like the Stooges go Coltrane. I wanted to like it, but half the
time I didn't get it. Nevertheless, they give it everything they've got and the vibe is
electric.

During this whole event we were thoroughly entertained and hosted by Mary, Wally
and Amanda. They fed us, and bought us drinks, the entire time. But 11pm on
Sunday is closing time so let's head out. Mary and Wally suggested we attend a
house party, being thrown by the owner of the Dangerfield boutiques.
This guys house is actually a converted warehouse on the banks of the Yarra River.
The place is enormous. There were different themes on the various levels. For
example, one entire floor was a full on disco with a d.j and at least a hundred people
dancing.

Another floor was for live music, and we caught a few numbers by the band. It turned
out the drummer was the host and he came over and graciously supplied us with
champagne and an invitation to enjoy his shindig. He explained that it was a holiday
party for his staff, a mixture of hot girls and gay men.

James and I explored the house some more and found a karaoke room, an out door
stage with another band, a swimming pool and a huge mirrored room with a bath in
the middle.

Tuesday 6th

We took a morning flight to Adelaide. Our hotel was right in the middle of town, so
perfect for exploring the locale. The weather was beautiful too. Sunny and warm,
Australian summer at last.

Wednesday 7th

Today was my birthday, so I celebrated by going for a run around the city's botanical
gardens and along the river, then breakfast.

In the afternoon we headed over to The Governor Hotel, tonight's venue, to check on
our gear and make sure everything was sounding right. It was. The Guv, is one of
Adelaide's main venues and when we returned that night for the gig the place was
busy.

Back stage it was the usual stuff of tuning, set lists, etc, but when the other three
guys and Bicci went into the next room and closed the door I couldn't help wondering
what they were up to. That old paranoia raises its ugly head. A minute later they
remerged and handed me a bottle of Veuve Clicquot
and a birthday card. Even though Glen had been calling me birthday boy all day, the
pre gig nerves had pushed it out of my thoughts.

It was a warm night so lots of folks were on the outdoor patio, but when we came on
there was a huge surge to the front of the stage and off we went with all pistons firing
for a brilliant rocking show. The crowd knew almost every word and were not shy
about singing along.

When we came back for an encore James announced that it was my birthday and
the lads led the audience in the inevitable chorus of happy birthday to you.
As we said thanks and walked of stage James turned to me. "Right lets open that
Verve."

Thursday 8th

We were up early and on a flight to Sydney, where the stormy weather was causing
delays. When we finally landed it was a scramble to get to the venue and sound
check. Tonight's show at The Metro Theater was being filmed and recorded for a
webcast, so the pressure was on to get everything ship shape.

Bicci had been sure to hire professional road crew for all the shows, and the guys at
the Metro got things up and running in no time. The theater itself is split into two
venues and we were playing the smaller. Very industrial in feel with a really cool
facade made of old speakers, piled on top of each other.

The Lost Souls Club opened up the show and came off to polite applause.
As we walked on there was a bit of confusion from the lighting guy, but Clem soon
put him to rights.

1 2, 1 2 3 "BADAM"! Out Of Control. The lights were up and colored smoke was
pumped onto the stage. The International Swingers were up and rocking for our last
show of the tour. Hard to believe we'd only been playing together for just two weeks.
The crowd in front were very subdued, content to stare and take photos.
Five songs in and we still couldn't get them animated. Then I introduced I Like It Both
Ways as a song about a guy who can't make his mind up.
"What can't he make his mind up about?" asked Clem.
Vegemite or Marmite, I said.
"What about you guys?" said Clem.
That was it. Suddenly the whole place was yelling and cheering as James and Glen
pitted the Marmite fans against the Vegemite lovers. Bonkers, but it worked and for
the rest of the show they were enthusiastically singing, jumping and rocking out.
Stay With Me really had them going, with Glen leading the sing-a-long.
Too soon we ended with Born to Lose and the gig was over.
Check it out on; www.Moshcam.com

After a while we went out and chatted with the punters and friends, including my
mates Joe and Chris from Supernaut, and a very excited Blondie fan named Teena.
Bicci drove us to our hotel, in Sydney's Kings Cross. A little later we walked a few
blocks to Tattler's, a cool little club. The door-man was an expat English guy, sporting
a bleached mohawk hair-do. He buzzed us in, sorted us a table, and bought the
drinks too. Very nice.

The next day we were all heading in different directions. James to Melbourne, me to
Perth, Glen to London and Clem back to LA.

So, there it was. The International Swingers, a theoretical band that had become a
reality, played five shows and now it was over.

Or is it?

Gary Twinn Interview

Not only was I lucky enough to get to see The International Swingers exclusive invite only gig at The Lexington last month but I was also honoured to be introduced to frontman Gary Twinn. Not only has Gary agreed to an interview for In The Poppy Fields, which is presented here, but he has also given me extracts from his diary which charts the formation of the International Swingers and a piece he has written about the Twenty Flight Rockers called "Bernie Rhodes And Me". These articles are great and I will be posting them for you all very soon - so watch this space! First though lets ask Gary about his immediate plans with The International Swingers.

How was the Swingers UK debut for you?

For me the Lexington was a blast.

I haven't played in London since around 1990 so I was excited and even a bit nervous. It was particularly cool knowing that most people there had won tickets through our Facebook and Twitter contests so they obviously wanted to see the band. Then we had loads of friends and family too. Some of my cousins, and my mates from Twenty Flight Rockers.

Why did you decide to play just one very low key date this time around?

We were looking at doing some more shows but James is committed to playing with The Cult until October.

Lots of folks are eager to know when they will get to see the band live, are there any plans for a more comprehensive UK tour?

We are talking about more UK shows late this year. I hope it works out.

What was your reception like on the American dates of the tour?

All the US dates have rocked. We do our best to play a great show and the audiences seem to appreciate that. My personal goal is to give the kind of performance I'd like to see and hear if I went to see a band. We're all entertainers and show offs so we go that extra step!

You stated that the Swingers were formed as a way of "getting a free holiday to Australia", what's the story?

I kept a diary at the time. (NOTE: this will be published separately so keep checking back! Rob)

You previously reformed Supernaut who are obviously well known in Australia so why did you decide against another reformation in favour of the International Swingers for this tour?

 Supernaut reformed for a tour in 2007. It was a kind of package with a lot of other acts who had been popular at the same time. There was a TV pop show called Countdown and we were regulars on it. I hosted it loads of times. It went well and it was great to hang out with old mates. Our final show was in Perth, where we had played our first gigs as school boys. Also Hank Marvin was there and the first rock act I'd ever seen was Cliff and the Shadows, with my mum at The London Palladium. So it seemed to wrap the Australian thing up nicely. Then late 2011 it was suggested we do another tour but most of us decided against it and that's when the promoter asked if I had another band. James was at my house at the time and there The International Swingers begins.

When and how did you first meet Glen Matlock?

I met Glen in the late 80's through Bernard Rhodes, who was managing me and my band Twenty Flight Rockers. Bernard wanted us to start a project for his label, Sacred. We recorded a few songs and "Bike Boy" was released as a single. I like Bernie but didn't work out quite how I wanted.

Dead Horse were similar to The Swingers in being a punk "supergroup" featuring The Damned's Rat Acabies and Generation X's Derwood Andrews with yourself and Glen - was this idea the genesis for The International Swingers?

Glen and I got together with Derwood and Rat with the idea of starting a new band. Bernie wanted to be involved in that too. We wrote and recorded some songs and even had some US dates in the works, then the Sex Pistols reformed, and that was that. There's one song from the time called "Fools Holiday" I wouldn't mind doing with The Swingers.

When did you first meet James, was it during his Generation X days?

I met James when he was in Gene Loves Jezebel and I was in TFR. There was a great London club scene in the 80's, lots of venues and live music. I think we first met at The Greyhound or The Embassy. No doubt Mark Laff, Mick Rossi, Bomber Harris and all the usual suspects were there too.

You seem to have a long history with Generation X having played with James, Derwood Andrews and in Twenty Flight Rockers with Mark Laff. Were they friends of yours before or did it just happen that way?

I'd had enough of Australia and moved back home to London. The final year or more of Supernaut had been pretty traumatic for me, lots of back biting and jealousy so I wasn't really sure what I wanted to do next other than to get away. I was in a club on Wardour Street one night and bumped into INXS who asked what I was up to. One of the guys introduced me to Mark Laff. We hit it off and before long we were checking out guitarists and bass players all over town with the aim of forming the best rock and roll band ever.

We used to go to Tony James' place to rehearse and often it'd be me, Mark, Tony and Neil X playing together while they were working on Sigue Sigue Sputnik. I met Derwood around the same time too. He was looking for a hot girl singer and I introduced him to my friend Elizabeth Westwood and hey presto they became Westworld.

Twenty Flight Rockers split before their time in my opinion, what happened and why do you think you never seem to get the recognition you deserve?

Thanks. TFR, it was a brilliant band to be in. We were all really tight as friends and players. The fans loved us because we gave them some great balls to the wall rock and roll, which was severely lacking in those Goth days. We just never had much luck with record companies or management. Then Bernie got involved and more or less tore the whole thing down.

We were a really strong live, visual group and it's a shame there was no MTV in the UK at that time. Could have been a different story.

(NOTE: I will be posting Gary's "Bernie Rhodes and me" piece in the near future - keep checking back! Rob)

Why is it so hard to get hold of the Twenty Flight Rockers back catalogue at the moment?

There isn't much to get I'm afraid. We released "Tower Block"/"Weekend Revolution" on John Curds' ABC, then WEA did a shit job of putting out our next single. I made a record called "Ride" with Bernie and a bunch of hired guns for CBS that was billed as TFR but that didn't come out either because of some political bullshit that I can't really expand on.

Someone put out a version of the LP and some demos without my knowledge or permission. I've got a great copy of our unreleased live album, "Nine Yards Of Dead Cow". If anyone reading this wants that I'll send them a download link.

What is the latest on The International Swingers album?

We want to record a proper album of original songs. I guess funding is one issue, plus fitting it in with everyone's schedules. We are looking into the idea of doing a kick-starter kind of thing. That way we can pay for recording costs etc and know that folks on-board really want to hear the music. The Lexington show really opened my eyes to the fact that direct contact with your fans is the way to go.

How many tracks are potentially written for the album?

We are currently playing about eight new songs in the live set but we've got a bunch more. Easily enough for an album. I write all the time, as does Glen, so I'm hoping we end up with loads of extra tracks that we can pass them on to the fans as bonus songs, or whatever. Also I've still got songs hanging around from TFR that a re perfect for The Swingers. James and I worked up a song called "Subway Train" that I'm looking forward to playing with Clem and Glen.

When can we expect to see the album released?

With a bit of luck we will record the album late this year and release it soon after. I'm pushing to record it at The Foo Fighters studio 606 in Los Angeles.

Will you include any of the re-workings or cover versions from your live sets on the albums?

Anything is possible, although I think we all agree we want to record new material. Personally if we have enough new songs recorded and there's time I'd be up for putting some cool covers in the bad. I know for a fact that Clem would be up for it. He and I are both big fans of roots and rockabilly and love to play some Elvis or Little Richard whenever possible. I'd like to record our version of "All The Young Dudes" too. I think we give it a fresh approach and James' guitar is simply phenomenal on that song. He really is a proper guitar hero and the sooner Gibson come out with a James Stevenson signature Les Paul the better!

And where's the Glen Matlock P Bass too?

Has there been any discussion of making the album a live recording rather than a studio one?

I was tempted to put out the "Live in Sydney" recording but I'm glad we didn't because the group is so much better now.

How did you break into the film industry and how much of your time is spent working with placing music in upcoming movies?

I've had songs in film and TV before. It's all about who you know and I live near Hollywood so I guess I'm close to the scene.

"F.B.I." will feature in "Homecoming" starring Jason Statham next year, for a band without a record out yet this must be a major coup?

A good mate of mine is a pretty big Hollywood producer, though I've never bugged him to use my songs. His name is John and he loves rock and roll and The International Swingers and kindly passed along our recordings to a music supervisor and bam, there's "F.B.I." in next summers action blockbuster!

Has Clem booked his stand up tour yet?

Clem is very quick witted and smart, which I guess are both key to doing stand up. We have a few routines and banter at live shows. He often offers to translate what ever Glen, James and I say on stage for the American audiences. We pulled the same one on him at the London show translating his Americanisms into British English. It's all in fun.

There seems to be a brilliant camaraderie between the four of you on stage, has this resulted in any practical jokes?

There are a lot of laughs sure but we take what we do seriously and, believe me, we work hard to get the musical performance tight before anything else comes into play.

What are your plans for the rest of the year?

As I said earlier, James is with the Cult util late October, although he and I will get together to write mid September before he goes to Australia. Clem is with Blondie through early November and Glen had solo stuff going on to promote his new best of album. Right now we are making plans for November and December and, I hope, much of next year.

We want to tour the UK and there's talk of Australia and Japan too.

In my time I've been lucky enough to work with some great players but nothing has ever felt so good and right to me as The International Swingers. It's like being in your first band, when you just get together with your best mates from school and play for fun. As Clem said, no one answered an advert or auditioned for this group. It could only ever be the four of us.

                                         Gary Twinn, thank you very much!

The International Swingers - The Lexington London 19th July 2013

The International Swingers performed their live UK (and indeed European) debut at The Lexington in London on Friday. It was a gig with a difference, rather than go for a bigger venue they decided on a low key event for friends and family with fans having the opportunity to win these exclusive tickets via answering questions on the bands Facebook page. It was an amazing night, very relaxed and the Swingers were on fire and had obviously come to party!

The Rebelles opened (Tracie Hunter, Phoebe White & Anna Randall) who describe themselves as a punk harmony trio and were great, only a half hour set that seemed to fly past all too soon with renditions of classics such as "Pretty Vacant", "Teenage Kicks" and "Should I Stay Or Should I Go?" Tracie and Phobe would return to the stage to join The International Swingers singing "All The Young Dudes" made famous by Tracie's dad Ian with Mott The Hoople - this apparently wasn't planned they just joined in!

Check out the band at http://www.rebellesmusic.com/ and via Facebook and Twitter and definitely see them if you get the chance!

The Rebelles

Tracie Hunter

Phobe White

Anna Randall

The Swingers set was a mix of original material....including the 3 tracks made available on their site "FBI", "Live Wire" and "Gun Control" and re-workings of tracks from their respective bands including a storming version of Blondies "Call Me" and the obligatory "Pretty Vacant" which went down a storm. Clem even sings on one of the songs from his days in The Romantics as well as trying to see if he has a possible career doing stand up! The rest of the set is made up of inspired covers such as The Monkees "(I'm Not Your) Steppin' Stone" - Americas first punk band as the Swingers would have it!

There will still be a wait for the album but considering the band was put together as a way of "getting a free holiday in Australia" we are lucky to have them progressing and bearing fruit with quality material of their own. As James is now with The Cult for the Electric 13 tour it may be a while before we see the album or more dates but hopefully next time more people will get the chance to see them - whenever it is the wait will definitely be worth it.