Showing posts with label The International Swingers. Show all posts
Showing posts with label The International Swingers. Show all posts

Thursday, 5 December 2019

The Rebelles release debut album

Many of you might have come across The Rebelles in the past, a vocal harmony group fronted by Tracie HunterElizabeth Westwood who put a different spin on punk standards. They even supported The International Swingers at the bands only UK gig to date back in 2013 albeit with a slightly different line up.

For years there has been promise of a guest laden debut album and after much patience it is finally available to order!

Amongst the many familiar names that feature on the album those that will be of particular interest to Alarm fans are James Stevenson, Clem Burke, Glen Matlock & Slim Jim Phantom who appear alongside Mick Jones, Ian Hunter, Earl Slick, Kenney Jones, Chris Spedding, James Hallawell, Chris Musto, Neil Gabbitas and Paul Stacey.



Order the CD directly from Tracie Hunter for just £12 inc postage in the UK, £13 for Europe and $20 for those in the USA. Paypal traciehunter@icloud.com remembering to give your address!

As you can tell by the track list the original punk idea has broadened to take in a wider range of genres and the album features the following songs:

All The Young Dudes
Cracked Actor
Hanging On The Telephone
Motor Bikin'
Stay With Me
Should I Stay Or Should I Go
Stray Cat Strut
The Last Time
Sorrow
Walk On The Wild Side


Wednesday, 15 February 2017

New video from The International Swingers!

The International Swingers have just released a video for the track "Fool's Holiday" ....you can watch it by clicking on the picture!


Friday, 4 December 2015

James Stevenson And The West London All Stars


After whetting everyone's appetite at The Gathering with how well material from his début solo album translated live James Stevenson is just about to take to the stage for his first full solo live show when his West London All Stars play The Water Rats in London on December 17th. It seemed a good time to try and get a sneak peek into what we can expect on the night as well as a brief insight into 2016!

You’re just about to do your first full solo gig….what’s taken you so long?!

Well to be honest I always just wanted to be a good side-man – but then I made my solo album and am very proud of it – so I want as many people as possible to hear it. Doing gigs was the next logical step.

So why now?

Well it’s just timing – it took me twenty years to get my solo album together too!

James Stevensons West London All Stars…can you reveal the line up of the band yet?

Still firming up a few things. But Mark Taylor obviously – I couldn’t do it without him. Chris Bell from GLJ on drums. The Rebelles are covering BVs and Terry Edwards is helping out on sax and stuff.

What can we expect from the set, will it focus mainly on material from your album or will it include tracks from across your career?

I will be my whole album

Will there be any covers in the set?

No covers – I didn’t feel that was appropriate right now – it might lead the set in the wrong direction.

Will this be the start of more solo live dates?

I hope so.

You will be supported by the Rebelles and Spizzology, the Rebelles feature both Tracie Hunter and of course your good lady wife and supported the International Swingers so were a pretty obvious ( but welcome) choice, what about Spizz?

Spizz is an old mate. He was the promoter’s idea.

Will you be premiering any new material?

Not at this gig – it is my first after all!

Are the All Stars for the night on stage for the full gig or might you have the odd friend pop on for a song or two?

I might…..

Holy Holy head overseas in January to America, what are the rest of the plans for the band in 2016?

Well Tony (Visconti) is very enthusiastic about taking the band on the road so there will definitely be a lot more action in 2016 than there was in 2015 – now the band is properly up and running.

You come back just before The Gathering, Smiley has said he has the set list and doesn’t know half of it! Is there any more you can reveal?

Well the set is a long way off being finalised. There will be a few surprises as well as the obvious hits.

Are you looking forward to going out as The Alarm again for the Stranglers dates?

Always love being on the road.

It looks like a busy year for Chelsea too with not one, not two but three Anthologies announced (so far!) what can we expect on them and do you know yet what of the live dates you’ll be appearing at?

Not sure. Plastic Head have really got behind Chelsea which is great. The summer looks like it might be a bit of a juggling act. The Cult replaced me with a keyboard player! So although it was great touring with them it does end up being one less thing to juggle.


The International Swingers debut is now in peoples houses and is a great album, is there talk of further live dates or even a follow up already?

The album isn't officially released so a follow up is probably a way off – but live dates hopefully in the spring some time.

It’s the end of the year so what albums have made your playlists this year?

Nothing much has floated my boat at all – sorry to be unenthusiastic – especially not by Sandi Thom! LOL

James Stevenson, as always, thank you so much....see you on the 17th!

Order your tickets HERE!

Wednesday, 8 October 2014

James Stevenson Interview

Back in July I caught up with James in an interview that was going to focus mainly around the International Swingers album and Pledge Music campaign. As the launch of the Pledge was delayed we held back on the interview...until now! 

The Cult stint is turning out to be longer than initially expected, what are the current plans and is it likely to extend beyond The Electric dates?
Hi Rob – well yeah it has done. The Electric 13 dates ended last December – and I’ve been doing all the gigs since then.

Has there been any talk to a follow up to 2012s “Choice Of Weapon” album?
Ian and Billy are working on new material as we speak I believe.

You’ve played some huge dates on this tour so far including the Coachella Festival, what are your stand out moments?
The two nights at The Roundhouse in London were fantastic. But its all good. I love playing with The Cult. Coachella has grown into something much bigger than it was. It sells out before the music line-up is announced – that tells me the music has become secondary which I think is a shame.

You managed to slip in the majority of the recent Chelsea tour baring a couple of dates that conflicted with your Cult commitments, are you likely to be able to appear on the upcoming album and when are the sessions planned to start?
In December. Yes – I’m sure I’ll be on it. I’m going to brighton to do some writing with Gene this weekend! Although most of it’s written already.

How has it been playing with The Rebelles recently?
Well to be honest the last thing I needed was another set going round in my head! But their guitarist couldn’t do two shows so I had to help them out.

Has Elizabeth managed to get any of her Westworld hits into the set yet?
LOL – no not yet.

3 quarters of the Swingers are to be on the new Rebelles single, will you be on the album too and how was recording in Mick Jones’ studio?
Yeah – there seems to be a lot of cross-interaction with all the band’s I’m in – just look at all the connections between Gene Loves Jezebel. The Cult, The Alarm and The Mission! Love working at Mick’s – Mick’s a genuine genius in my opinion – and he loves The Rebelles.

Given their style of reworking punk classics what tracks in your own catalogue do you think would suit that kind of makeover and arrangement?
I think they could do a great version of Living In The Urban UK by Chelsea

The pledge campaign for the debut International Swingers album starts at the beginning of August at one time you seemed opposed to going the crowd funding route, what changed your mind?
Actually we’re a couple of months late – just launching now. Someone said to me you have to view it as pre-sales. The music industry has changed out of all recognition – labels haven’t got the money to fund artists anymore. When I was just out with The Cult I really enjoyed some of the opening bands – then it dawned on me that because of how it’s all gone most people will never have a chance to see or hear those bands – it really is a shame.

You’ve been doing some sessions as and when you can all get together, how are things shaping up and how much more recording needs to be completed?
Quite a lot – everyone’s so busy doing other things all the time – the logistics can be a nightmare! But I feel we’ve got some great songs – can’t wait to get it finished.

Has the track listing been finalised yet and if so will the album include any of the live set and the tracks already previewed on the web site?
There’s quite a few new songs that were never on the site and that we’ve never played live. It’s more or less finalised – but things change all the time as you know – especially with bands.

Can you let us know what sort of rewards are planned for the pledge campaign or are you sworn to secrecy?
You can read all about it right here! http://www.pledgemusic.com/projects/theinternationalswingers

If all goes well what are your expectations for the campaign and what will it allow you to do?
Well really just to get our music out there – the stuff labels used to do in the old days.

Have you discussed stretch targets at all?
Erm – sorry to be ignorant – what are they? (LOL)

Were there any rewards that were suggested that got vetoed for being too outrageous?
No – outrageous is good.

Daniel Ash is offering a bike trip with him as part of his Pledge campaign where the bidder gets to keep his 1992 Heritage Softail HD (admittedly for $45,000!) - are you tempted to part with any of your bikes?


No. That's a lot of money for a Harley!
What’s the proposed date for the albums release?
Probably Jan 2015

Will it be possible to tour to support it and if so when would this likely to be?
Yes we really want to. As long as The Pistols, The Cult and Blondie stay quiet! We’d like to play live more. The Lexington show we did last year in London was one of my favourites.

Has there been any talk about The International Swingers appearing at next years Gathering or is that not something that would interest you?
I’m actually considering doing a James Stevenson set at The Gathering – although I’m very nervous about it. Jules Peters thinks when non-Alarm related bands play at The Gathering the fans don’t really like it – and I think she’s right on that one.

It’s been very quiet on The Alarm front this year so far with Mike out on the very successful “Declaration” tour. Has there been any discussions yet about when the band will come back together to either record or for live dates?
Not really. Looks like The gathering will be the next thing – so that’s a year between gigs! And now Mike’s doing a solo Strength outing too next year. I don’t blame him at all. But when we do some actual Alarm dates – hopefully sometime next year I’m sure because of our absence it will be a big bang.

Lastly with this being another whirlwind year have you had a chance to take in the reaction to your solo debut “Everything’s Getting Closer To Being Over”?
Well it’s had amazing reviews. I’m very proud of it – hopefully it’s the beginning of something bigger.

Has it met your expectations and have you any plans to start on a follow up just yet?
Well I’d have liked more around it in the US – but that might be about to happen. There will definitely be another album – hopefully in 2015

Before we go it seems quiet on the Gene Loves Jezabel front currently with Jay & Peter both lining up the second Ugly Buggs release. Any news you can share on what we can expect next?

I thought their Summertime single, and the video, were fantastic. I’m hoping Jay will do my video for Suzi’s Problem from my album that I’m planning. Have you seen the one I did for Go Mister! on Youtube? As far as GLJ who knows. We’ve talked about a new album – and dates. But Jay moves around the world more than anyone I know……

Tuesday, 7 October 2014

Be part of The International Swingers Pledge Music campaign

"Whatever Works Now" is the debut album by The International Swingers and you can help make it happen!

The band will be recording the album during November and as usual with crowd funded campaigns there are a load of rewards to suit all tastes and budgets from downloads, signed CDs, handwritten lyrics to a full band concert!

5% of sales will also be donated to LHS.

I've been waiting for this one for a long time now and have already put my money where my mouth is....check out what is on offer and get involved HERE!

Wednesday, 28 May 2014

The International Swingers announce Pledge Campaign

The International Swingers will reveal details of their pledge campaign on August the first for their highly anticipated début album. No details of rewards have yet to be announced but I'll let you know the details once they are available!

In further James Stevenson news the video to "Go Mister!" is now available to view on YouTube featuring James and the Sexpistilletos check it out and if you haven't already....get his album!

Wednesday, 8 January 2014

Swingers dates change!

The two International Swingers dates that I've previously posted have been rescheduled by a week. The band will now play the Farmers Market on Saturday 18th January and Red Balls Rock N Roll Pizza the following night.

Wednesday, 1 January 2014

The International Swingers Shows!

Straight into action this year....The International Swingers are playing two free shows in CA - the second of which is to be filmed for a TV broadcast. What's more - there will be no door charge!

JANUARY 2014

11th Farmers Market (3rd & Fairfax)
12th Redballs Rock & Roll Pizza Moorpark


Thursday, 5 December 2013

James Stevenson Interview

In what must have ranked as one of the busiest years in a career that most could only dream of it seems a great time to catch up with the one and only James Stevenson to talk about his year and what we can expect in 2014!



THE CULT

So, how was the Electric 13 tour?

You mean how “is” it? I’m just about to start the final leg in the US. It’s been great. Met tons of interesting people. Great to reconnect with Ian again and Johnny Tempesta and Chris Wyse, what an awesome rhythm section, have become great mates. I just went to see Chris’ solo band Owl in New York the other night – they were fantastic.

When you contacted Billy Duffy and put yourself forward for the tour what was his reaction and how long did it take for the decision to be made?

It was a very casual thing. I heard Michael Dimkitch had left the band so I texted Billy and said if they wanted a temporary replacement I’d be up for it. I said temporary because I’m already so busy with other bands. He got back to me almost immediately and asked if I’d be available for the dates and could I do it for a certain amount of money and I replied yes to both. I got the text from him just before I was about to walk onstage in Sacramento with The International Swingers. I’ll always remember that gig for that reason and because Earl Slick got up and played with us. I had to tell Earl afterwards that I spent a whole day in my youth learning the solo to Station To Station!

How long did it take you to feel at home again with the band and the material?

Immediately. I feel very at home with The Cult’s songs. I actually play guitar quite similarly to Billy in many ways – we have a lot of the same influences, in fact all the rhythm parts on Electric, which I have to play, are how I would have probably played them naturally anyway. I actually have much more in common with Billy as a guitarist than I do with Dave Sharp. That doesn’t mean I don’t enjoy Dave’s playing but that’s why some of the old Alarm song parts don’t come that naturally to me.

How much did the second half of the set change throughout the tour?

Not much – the odd number got changed here and there. Towards the end of the first leg we started playing Horse Nation, which was fun for me as there are some dual lead parts.

What were the stand out moments for you?

Well Ian heading the tambourine like a football at the second show in Anaheim and it splitting his head wide open and then carrying on with the set bleeding all over the place when anyone else would have walked off-stage and got stitched up definitely sticks in the mind! Ian’s full of surprises – you never know what’s gonna happen next. That’s one of the things that keeps the band exciting. Whatever some people think of Ian one thing you cannot take away from the man is that he is the real deal!

Were there any tracks you wish Billy would have included in the set?

Maybe some more songs from Love. Last time I played with the band in 94-95 we played Love which I love as a song – even though it is very similar to The Wake by Theatre Of Hate! (LOL). We ran through American Horse in soundchecks a few times and I always enjoyed playing Gone from the goat album last time around too but the set is two hours long as it is – so no room for more. The guys have told me it’s the longest set the band has ever done.

What was fan reaction to you being back in the touring band?

I think it’s been pretty positive. More than a few people have said my inclusion has made the band sound more “British” again – however that works I don’t know. Plus the fact people know my name from other bands – so I’m not like some faceless new session guy – I think that helps. And also that Billy and I go back over thirty years! So people know we’re mates. I first met him in 81 when he first came to London and I had already done Chelsea and Gen X and was playing with Kim Wilde. I was like the successful guitarist – now he’s my boss! (LOL) Also it was Billy who suggested Mike Peters talked to me about playing in his solo band – Billy introduced us – and now I’ve been playing with Mike for over fifteen years! So I owe Billy one there.

Has there been any discussion about you reprising your role again as an ongoing position or for future tours?

Maybe…….

HOLY HOLY

You had the chance to play again with Woody Woodmansey and a whole host of friends (including your wife) when Holy Holy play pre Xmas in London, will we see the band become a semi regular thing?

I hope so. I was gutted I had to bow out of the Xmas gigs because The Cult added more shows in the US. Playing with Woody was an absolute honour – he’s the only surviving Spider and I was, and still am, a huge fan. Mick Ronson is the reason I picked up a guitar in the first place. Afterwards when Woody emailed me and said Mick would have been proud of you – it made me cry – really.

With such a rich catalogue of classic Bowie to choose from how does the set list get decided?

By discussion really. Paul Fryer, who was singing, originally wanted to do more obscure songs like Unwashed And Somewhat Slightly Dazed and All The Madmen. But I thought we should stick to a more greatest hits type set. It ended up somewhere in the middle. When I first met Paul I didn’t realise how successful he was as an artist. Then Liz and I were invited to his 50th in his huge studio in Greenwich. Damian Hurst and Jude Law were there. It was a great night and his art is incredible.

How much time do you have in your schedule to rehearse when you get involved in a project like Holy Holy?

Well because it was all Bowie stuff I found time. Those are the songs I taught myself when I was first learning to play. You know, sometimes as a musician you have time and sometimes you don’t. We did three full days rehearsals for Holy Holy and luckily I had that time free. It was a crazy week. I played with GLJ in Portugal on the Saturday before, Holy Holy at Latitude on the Thursday after reheasing days with Holy Holy and evenings with The Swingers the few days before, The Lexington in London with The International Swingers on the Friday and left for the US and The Cult on the Sunday!
Are we likely to hear any live material released for the fans that can’t make it to London?

No plans right now – but I think gigs might become a regular thing. The band is fantastic. I always love playing with Steve Norman, he’s so talented. And Clem, Gary Stonage, Malcolm Doherty and everyone else – it’s such an enjoyable experience.

SOLO

What’s the latest status on your solo album?

Coming out March 10 – although there will be advance copies for sale at The Gathering and I’m doing a signing session there too.

Has it been a case of bad timing, having a really busy year with The Alarm, The International Swingers and The Cult (not to mention Holy Holy and the odd Gene Loves Jezebel date) or are you still tweaking things?

No – it’s all done. Actually I’m still figuring out releases in different parts of the world – but UK will be March 10.

Last time we spoke you were considering some solo dates, maybe the Lexington, maybe The Gathering…are there any updates yet?

Maybe The Gathering, though it might be a gig too far this year and I know Jules has been talking to other people about playing…..

What material would you include in a solo live set, if any, from your long career…or will there be the odd cover or two?

I think I would just do the album as it stands – no covers – they might come later.

THE ALARM

So Mike is no longer with Big Country, we know we have The Gathering then the solo “Declaration” tour and an album based around that, can you throw any light on what we can expect from The Alarm in 2014?

As far as I’m aware there is absolutely nothing in The Alarm diary. The economics of modern touring make it much easier for Mike to do solo acoustic gigs unfortunately.

Do you and Mike send each other ideas or do you wait till you are together in person to work on new material?

To be honest Mike pretty much works on his own. The only Alarm material I would class as a true collaboration would be the Under Attack album.

Has being on tour given you time any time to write?

No. One always thinks you’ll have time to do this or that on the road but you never do.

Can you tell us anything about The Gathering yet or is it still veiled in secrecy?

There will be a few surprises I’m sure. But right now it’s still all being finalised so I don’t really want to disclose what’s been discussed so far and it can all change at any given moment anyway.

GENE LOVES JEZEBEL

You said before that you have tried to persuade Jay to record a new album but with the difficulties with the “other” version of Gene he doesn’t want to do anything that may benefit them. Have there been any developments that might see new material?

Yes – we have been talking about recording a new album. Possibly under a new, but related name – such as Jay Aston And The Jezebels.

Beggars Banquet are just about to release the 5 disc Gene box set with a whole host of bonus tracks do you think this might spark some activity?

Yes maybe. The problem is Jay’s twin Michael makes it very hard for us to tour in the US.

It will be nice to have some of this material readily available again (“House Of Dolls” for instance) – is there anything in your career you wish was more readily available?

I think you can find pretty much anything if you dig around on the internet. There was a Gen X live album with me on it that EMI put out a few years ago, but Tony James put a kibosh on it because he didn’t like it, which I think was a shame.

SWINGERS

This year has been quite a year for The International Swingers, will this momentum continue into the new year?

Yes. There a new Lionsgate film called Homefront with Jason Statham and Winona Rider which has The Swingers track FBI in the soundtrack and as soon as I finish the December Cult shows I come home for Xmas and then fly back to LA for a Swingers TV show which is about how bands used to record an A and B side in a day. The show is based in Dave Grohls’ 606 studio and Dave Stewart is producing our two tracks – so that should be great.

At the Lexington we were discussing crowd funding as a way of getting backing for a Swingers album and you had mixed views on it, has your opinion changed since then?

Kick starter schemes are a mixed blessing in my view – but the industry has been so decimated maybe it’s the only way forward if people want to hear new original music by their favourite artists. Record labels are basically a thing of the past. At least now artists can hang on to their own copyrights. I was talking to Willie Nile about his, he was very in favour, but after he got the funding from his fan base and made the record he did a deal with a label – so anything can happen nowadays.

Kim Wilde is playing in London on the 21st of December, how would you feel about joining her on stage for a few of the old hits?

Ha! I’d love to. I love Kim, she’s brilliant!

Got to ask this – what’s on your Xmas list this year?

I think I need a new computer. Mine keeps getting this thing called “kernal panic”. I spoke to Mike P and he said time for a new computer because they just can’t handle being dragged around the world the way they are with us, they just can’t take it. But really, to be honest, I have most things I need and want. So I guess just the old peace in the world would work fine for me.

Keeping with the Xmas theme, if you recommended one album, one book and one film for people this year what would you choose?


Well I thought The Next Day was fantastic – especially the single. Any book by John Niven and Sound City by Dave Grohl was incredible – to make a film about a famous recording console that holds your attention for the full length of the film is quite an achievement

James Stevenson it has been a pleasure, as always, have a great Xmas and New Years from all of us!

Tuesday, 20 August 2013

Gary Twinn - Forming The International Swingers

When I recently asked Gary Twinn how The international Swingers had formed and who had bought who into the band he decided he had the perfect answer - his diary!

So here it is, with many, many thanks to Gary - the diary he kept while the band formed and played it's first gigs down in Australia!

The International Swingers (Forming the band)

Saturday 19th of November, 2011.

James and Glen flew into Los Angeles tonight. I drove over to James' North
Hollywood flat, then we went to meet Clem at The Fox and Hounds. The pub was
packed and the band playing was great. Clem explained that two of the guys were
from The Cowsills, the band that 1970‘s TV show The Partridge Family was based
on. Anyway, they were doing loads of 60's classics, Beatles, Stones, Beach Boys,
Hollies, and the vocals were spot on. A few beers were shared and plans made to
meet at a North Hollywood rehearsal studio next afternoon. We were creating a new
band that, up until now, had been just an idea, a theory.

About a year before I'd had a call from, Australian tour promoter, Bicci Henderson
who suggested I put together a new group for a tour later in the year. James was in
LA at the time and we got to talking about doing something where we could play
some of our old songs, plus punk and rock and roll classics just for fun. He called
Glen, who liked the idea if he could fit it into his schedule. As well as touring under
his own steam with The Philistines, Glen is performing bass duties with The Faces.
Our first choice for drums was Clem. He'd played with Glen many times and been
part of the Honey-dippers rockabilly outfit with me. Months of planning and schedule
juggling had taken place and now we were all in the same place and ready to see if
we could make a theoretical band "The International Swingers" a reality. We had
booked a warm up show at Skinny's Lounge, a local bar, for next Sunday. We were
to fly to Melbourne the following day.

Sunday 20th

We all arrived around 1.30pm and, with the assistance of studio manager Mark
Christian, set up our gear, instruments and the PA to our liking. A few weeks before
James and I had made a list of possible songs and the plan for today was to run
through it quietly and figure out chords and arrangements. Well that was the plan,
but as soon as I heard James checking his amp by way of a crunching version of
Cracked Actor I knew that quiet was out the window with this line-up.

There were about 30 songs on the list and we ran through almost all of them and
discussed which ones sounded right for us and which didn't. Some, such as Ooh La
La, got chucked immediately. Then we added some, like Friday On My Mind. I think it
was James's idea because of the Easy Beat's Australian connection. After all we
were rehearsing for an Australian tour that was little more than a week away. Clem
suggested The Romantic's What I Like About You, and said he'd sing it.

We played, drank coffee, and played more into the night, finally ending around 11pm.
Over drinks and food at The Federal Bar, we discussed the upcoming tour, the song
list, and plans for Monday's rehearsal. Thursday was Thanksgiving and Clem's
birthday, there'd be no practice that day, so we had to start nailing the songs by
Wednesday.

Monday 21st

Monday was another intense work out. After 10 hours of singing the day before my
voice was more than a little raw and my mind was awash with chords and words but
on we went. Beginnings, endings, solos, backing vocals, arrangements, Glen and
Clem both had a great sense of how all the parts should fit together and by the end
of the night it seemed we were getting somewhere.

Tuesday 22nd

LA traffic can be a nightmare so by the time I arrived at the studio the other guys had
been hard at it for a couple of hours and as I walked up the stairs I was blown away
at how great they were sounding. This morning I'd printed out the tour itinerary, which
was sent to me by Bicci, It was looking good.10 dates across the country, the last
three in Perth, Western Australia. I'd lived in Perth, my Mum and family are there as
well as some of my best friends. I handed out copies of the new set list and some
lyrics we needed, grabbed my guitar and joined the band. Another long
afternoon/evening was capped off by a well deserved visit to the Fox for a beer.

Wednesday 23rd

I had a bunch of things to get done today before practice. Pick up dry cleaning, get
my leather pants from the menders, pick up wine for tomorrow's festivities. The sun
was shinning, and I was walking along 3rd Street when my phone rang. It was Bicci.
'Hey' I said, 'I'm on my way to meet the guys. How's it going?'
"Not great' he replied. 'The tour is cancelled'. He started to explain, but the shock,
mixed in with loud traffic was making everything he said into a babble.
Call me back in five minutes, I told him, so I could get to my car and head over the
hill to our rehearsal studio. When Bicci eventually called again I got the story. The
Perth shows were booked through an agent out there who had become concerned
that advanced ticket sales were slow. Most club shows are walk up rather than
advance sales but this guy wouldn’t take the chance. Without the Perth guarantee
Bicci wasn't sure he could pay the tour costs, band, crew, equipment,
accommodation, airfares, etc, etc.

I called James, told him the news, and said I was on my way. Once again LA traffic
was not helping. Glen phoned and said to meet at Starbucks. When I got there the
first thing Glen said was 'Don't worry, it's not your fault'. Clem was equally gracious
saying how this kind of thing happens all the time. James, the ultimate pragmatist,
said ‘Let's get Bicci on the phone and sort something out’. On the speaker phone
Bicci explained the situation to us all and we bombarded the poor guy with questions.
What about one date in Perth or just the east coast?
He promised to look at the options and get back to us.

"Well" said James "we're still doing the gig on Sunday, right?" We all agreed, and off
we went to the studio. By now the set was shaping up but we decided to cut a few
numbers because it was running a bit long, especially if we were not heading for
Australia any more.

A friend of Clem's dropped by the studio and after we'd finished we all set off to
Clem's local sushi restaurant. James and and I stopped off on the way and picked
up a bottle of champagne and a card for Clem's birthday. The conversation was a
mix of disappointment, positive ideas and discussion about what to do with what was
starting to sound like a pretty good band. Everyone had planned to be away for
almost four weeks so we had time on our hands. After dinner the waitress bought out
some green ice cream with a single candle on top. We sang happy birthday to Clem
and declared we'd stay upbeat and enjoy a day off for Thanksgiving.

Thursday 24th

Thanksgiving. I cooked and we opened a bottle of champagne, both as a gesture to
keeping positive in the face of disappointment, and in my case to wash away the
blues.

James and Glen came over and other friends, Uschi, Stash, and Tressa, joined us
for dinner. Afterwards, at Stash's request, we picked up the guitars and banged out a
few of the numbers we'd been working on all week. Stash has been on the scene
since the swinging sixties in London and was even in Vince Taylor's band. He loved
what we played and said he would definitely be at the gig on Sunday.

Bicci called, he was working on something, maybe just Melbourne.

Friday 25th

Feeling the effects of the red wine from last night I met Clem, James and Glen at the
studio. Before we quit on Wednesday we'd figured out the set list, where each
number should go, so the show would have some dynamics. Now we started to play
the songs in that order and with minimum use of cheat sheets.

Another friend of Clem's showed up. Merwin is a great guy; funny, amiable and full of
rock and roll stories. He was critical and encouraging about the tunes we were
playing and it was great to get another point of view of what we were up to. That
being said, we still didn't really know what we were going to do after Sunday's show.
By nine o'clock we were done and decided to eat Indian food. The restaurant was the
closest to a British Indian place I've been to in LA. The food was delicious, and we
ordered way too much. About half way in my phone buzzed and I opened my email.

It was Bicci.

Hi Gary,
Talk this over with the guys and let me know your thoughts
Fly into Melbourne as scheduled and we play the two shows there and then do the
Sydney show making it a three show run.
We all looked at each other. ‘You know Bicci best, Clem said to me, is he just doing
this out of guilt or can he really pull it together?’
Let's call him. So there we were with my phone on speaker chatting with a guy on the
opposite side of the world about whether or not we should take a 14 hour plane trip
in less than 72 hours.

Ok, that was it. We all agreed to give it a shot. The International Swingers were going
to Australia.

Saturday 26th

I hooked up with Glen and James at the Guitar Center to buy strings, picks, etc. An
hour later we arrived at our studio where we were greeted by Clem and Robert
Matheu, one of rock and roll's finest photographers. I'd met Rob before but it had
been a while since I'd seen him last. Clem had invited him down to take some photos
of the band. The studio is in an industrial area and we posed around the street
outside the ware houses, next to Clem's car, then on the stairs and eventually inside.
In no time Rob said he had what he wanted and so once again we set to work on the
music.

The week had flown by but at last it all seemed to be gelling. Two or three runs
through the set, a couple of tweaks and it was time to pack up and get ready for
tomorrow's debut gig at Skinny's.

Sunday 27th

Skinny's Lounge is on Lankershim Boulevard in North Hollywood. Owned by Jeremy
Thomas, it has a fantastic vibe, great staff and the sound system is top-notch. During
the week they feature DJs and indie bands. Saturday night is all about burlesque,
with all the trimmings. Needless to say, we had visited Skinny's on Saturday night,
just to check on the stage, and lighting of course.

The International Swingers debut was to be a Sunday show, a matinee gig, opening
with local band, The Chequers. Within seconds singer Julie Green, and her boys,
blew away any sense of a lazy Sunday afternoon playing a set of full on power pop
rock and roll. Next was Patrolled By Radar, another LA based band, who are gaining
notice across the United States. Their authentic mix of American roots music, with a
splash of sixties Brit pop, sets them apart from other local bands, and this evening
they had the crowd begging for more.

Earlier in the afternoon Glen, James, Clem, Merwin and I had set up and checked
our gear. At 7pm it was time to hit the stage and find out if the labors of our weeks'
rehearsal would bare any fruits. We came on, the lights went up, the place was
packed, and as Clem counted us into the first song, Out Of Control, the audience
surged forward and the sparks flew. Three minutes later Out of Control's last chord,
C, clang, then bam, E minor and we're into Hanging on The Telephone. The surge
from the front was huge, the whole joint was dancing, shaking all over, rocking and
rolling.

Friday On My Mind, I'm Not your Stepping Stone, Fall in Love With You, I Like It Both
Ways, all thundered along. Next up Glen took over lead vocals for Burning Sounds,
and the crowed loved it. James introduced Jealous and the goths in the audience
pushed forward. What I Like About You featured Clem on lead vocal, with the rest of
us on back ups, and me playing the harmonica solo. By the time we went into Stay
With Me everyone in Skinny's was singing along. All The Young Dudes showed off
our four part vocals, then Call Me turned the room even crazier. The first notes of
Pretty Vacant sent them right over the edge, with a massive spill of punters onto our
stage. Glen and I traded off on lead vocal with an extended sing along at the end.
We said goodbye, but came back on to finish them off with Come On Everybody,
God save The Queen and No Fun.

Thank you and good night.

Just over an hour, and The International Swingers had played our first ever gig. You
couldn't ask for a better audience reaction. When we came out of the dressing room
Skinny's was still full of friends, fans and fellow rockers, including Stone Roses' Mani,
and Blondie bass player Nigel Harrison.

Amazingly it was still pretty early on a Sunday night, so it was off to The Federal Bar
for some dinner and a quiet celebration before flying to Australia the next day.
Monday 28th; 11.45pm, LAX, Qantas Flight 11 to Melbourne, Australia.

Yeah it's a long flight. In fact, come to think of it, if you go any further you're actually
coming back. But, Qantas treat you well and after a decent meal and a couple of
glasses of wine I got my head down and slept for a good amount of the way.
Because of the time and season differences 13 hours after leaving Los Angeles on a
Monday night in winter we arrived in Melbourne on a Wednesday morning ( Tuesday
had completely vanished) and it was summer. We were picked up, along with guitars,
and driven to the Medina Hotel in St Kilda. In the past St Kilda had a reputation as a
rough, bohemian part of town, full of hookers and skinheads. Located by the beach
in the Port Arthur Bay it has now become gentrified and groovy, with lots of cafe's
and trendy bars. Right next door to the hotel was, appropriately, the Next Door Cafe
and that is where the four of us spent our first afternoon. It may have been summer,
but in Melbourne that doesn't mean it's going to be sunny, and it wasn't. It was
pouring cats and dogs so we decided to chill and enjoy a relaxing day off with some
Aussie beers.

Thursday was equally chilled out. I try to go for a run every morning, as does Clem,
so I was really digging pounding the pavement of a new town, running along the
waterfront, taking in the fresh air and sights, working up a sweat and all around
feeling great.

Even better, when I returned to the Medina Bicci called to say that pre-sales tickets in
Adelaide were so good that we'd be going there between Melbourne and Sydney.

Friday, December 2nd

Bicci drove us to Geelong, about 100 miles outside Melbourne, for our first Aussie
show. It may be a country town but the punters were 100% Rock and Rollers. They
gave us an enthusiastic welcome and we gave them our best in return.
After the show we stayed and chatted for a bit, took some photos then headed back
to Melbourne.

Saturday 3rd

Saturday night's gig was at the Corner Hotel in Richmond. A pretty large club, we
could have done with a few more bodies in there. But, the audience were nothing if
not loud and raucous. There were a couple of guys in front who where obviously very
dedicated Twenty Flight Rockers fans. I've gotta admit it felt a little weird singing Fall
in Love With You, as they looked back at me, pointing, and enthusiastically singing
along with every word. And remember this is coming from a guy who wrote a song
called I Like It Both Ways.

There were a couple of problems tonight; Glen's amp died, but there was a spare,
and I broke a string (with no spare guitar). But as Clem jokingly poked fun at us for
our lack of professionalism I started to see that we were becoming a true band of
entertainers, warts and all. With great playing, good ideas, talent, humor and,
actually, a real professional attitude. By now we pretty much knew all the songs
inside out and the stage banter had become a part of the show. In my other bands
I'd always been lead singer, therefore spokesman. But here, there were four people,
with plenty to say, and stories to keep all the fans happy. In fact, one writer
suggested that we didn't need to play but just tell tales of yore. What-ever.
For this show we added a second encore, but we didn't leave the stage, just put
down the instruments, Clem came out front and we asked if they wanted another
song? Seemed fair to us. Less pretentious than walking off and expecting applause
and also a bit more interactive with the fans. If they really want it then we do too.
So, Zowie, Bam "Born To Lose", one of my all time favorite songs. I'd played that
Heartbreakers EP 'til it wore out.

Sunday 4th

Needless to say; everyone slept in.

Clem has some good friends in Melbourne and that afternoon we headed over to
theTote Hotel to meet them for a special 30th anniversary party. Apparently this place
has been hosting great rock and roll shows since 1981 and tonight's was no
exception. The first band, The Spazzys, blew me away. Three awesome girls, bass,
drums, guitar, playing full on power-pop-punk; like the Ramones meets the Surfing
GoGo's. Their songs are catchy, they look brilliant and I'm a fan.

The show was truly topped by Guitar Wolf, from Japan. I don't really know how to
describe their music. It's like the Stooges go Coltrane. I wanted to like it, but half the
time I didn't get it. Nevertheless, they give it everything they've got and the vibe is
electric.

During this whole event we were thoroughly entertained and hosted by Mary, Wally
and Amanda. They fed us, and bought us drinks, the entire time. But 11pm on
Sunday is closing time so let's head out. Mary and Wally suggested we attend a
house party, being thrown by the owner of the Dangerfield boutiques.
This guys house is actually a converted warehouse on the banks of the Yarra River.
The place is enormous. There were different themes on the various levels. For
example, one entire floor was a full on disco with a d.j and at least a hundred people
dancing.

Another floor was for live music, and we caught a few numbers by the band. It turned
out the drummer was the host and he came over and graciously supplied us with
champagne and an invitation to enjoy his shindig. He explained that it was a holiday
party for his staff, a mixture of hot girls and gay men.

James and I explored the house some more and found a karaoke room, an out door
stage with another band, a swimming pool and a huge mirrored room with a bath in
the middle.

Tuesday 6th

We took a morning flight to Adelaide. Our hotel was right in the middle of town, so
perfect for exploring the locale. The weather was beautiful too. Sunny and warm,
Australian summer at last.

Wednesday 7th

Today was my birthday, so I celebrated by going for a run around the city's botanical
gardens and along the river, then breakfast.

In the afternoon we headed over to The Governor Hotel, tonight's venue, to check on
our gear and make sure everything was sounding right. It was. The Guv, is one of
Adelaide's main venues and when we returned that night for the gig the place was
busy.

Back stage it was the usual stuff of tuning, set lists, etc, but when the other three
guys and Bicci went into the next room and closed the door I couldn't help wondering
what they were up to. That old paranoia raises its ugly head. A minute later they
remerged and handed me a bottle of Veuve Clicquot
and a birthday card. Even though Glen had been calling me birthday boy all day, the
pre gig nerves had pushed it out of my thoughts.

It was a warm night so lots of folks were on the outdoor patio, but when we came on
there was a huge surge to the front of the stage and off we went with all pistons firing
for a brilliant rocking show. The crowd knew almost every word and were not shy
about singing along.

When we came back for an encore James announced that it was my birthday and
the lads led the audience in the inevitable chorus of happy birthday to you.
As we said thanks and walked of stage James turned to me. "Right lets open that
Verve."

Thursday 8th

We were up early and on a flight to Sydney, where the stormy weather was causing
delays. When we finally landed it was a scramble to get to the venue and sound
check. Tonight's show at The Metro Theater was being filmed and recorded for a
webcast, so the pressure was on to get everything ship shape.

Bicci had been sure to hire professional road crew for all the shows, and the guys at
the Metro got things up and running in no time. The theater itself is split into two
venues and we were playing the smaller. Very industrial in feel with a really cool
facade made of old speakers, piled on top of each other.

The Lost Souls Club opened up the show and came off to polite applause.
As we walked on there was a bit of confusion from the lighting guy, but Clem soon
put him to rights.

1 2, 1 2 3 "BADAM"! Out Of Control. The lights were up and colored smoke was
pumped onto the stage. The International Swingers were up and rocking for our last
show of the tour. Hard to believe we'd only been playing together for just two weeks.
The crowd in front were very subdued, content to stare and take photos.
Five songs in and we still couldn't get them animated. Then I introduced I Like It Both
Ways as a song about a guy who can't make his mind up.
"What can't he make his mind up about?" asked Clem.
Vegemite or Marmite, I said.
"What about you guys?" said Clem.
That was it. Suddenly the whole place was yelling and cheering as James and Glen
pitted the Marmite fans against the Vegemite lovers. Bonkers, but it worked and for
the rest of the show they were enthusiastically singing, jumping and rocking out.
Stay With Me really had them going, with Glen leading the sing-a-long.
Too soon we ended with Born to Lose and the gig was over.
Check it out on; www.Moshcam.com

After a while we went out and chatted with the punters and friends, including my
mates Joe and Chris from Supernaut, and a very excited Blondie fan named Teena.
Bicci drove us to our hotel, in Sydney's Kings Cross. A little later we walked a few
blocks to Tattler's, a cool little club. The door-man was an expat English guy, sporting
a bleached mohawk hair-do. He buzzed us in, sorted us a table, and bought the
drinks too. Very nice.

The next day we were all heading in different directions. James to Melbourne, me to
Perth, Glen to London and Clem back to LA.

So, there it was. The International Swingers, a theoretical band that had become a
reality, played five shows and now it was over.

Or is it?

Wednesday, 14 August 2013

Gary Twinn Interview

Not only was I lucky enough to get to see The International Swingers exclusive invite only gig at The Lexington last month but I was also honoured to be introduced to frontman Gary Twinn. Not only has Gary agreed to an interview for In The Poppy Fields, which is presented here, but he has also given me extracts from his diary which charts the formation of the International Swingers and a piece he has written about the Twenty Flight Rockers called "Bernie Rhodes And Me". These articles are great and I will be posting them for you all very soon - so watch this space! First though lets ask Gary about his immediate plans with The International Swingers.

How was the Swingers UK debut for you?

For me the Lexington was a blast.

I haven't played in London since around 1990 so I was excited and even a bit nervous. It was particularly cool knowing that most people there had won tickets through our Facebook and Twitter contests so they obviously wanted to see the band. Then we had loads of friends and family too. Some of my cousins, and my mates from Twenty Flight Rockers.

Why did you decide to play just one very low key date this time around?

We were looking at doing some more shows but James is committed to playing with The Cult until October.

Lots of folks are eager to know when they will get to see the band live, are there any plans for a more comprehensive UK tour?

We are talking about more UK shows late this year. I hope it works out.

What was your reception like on the American dates of the tour?

All the US dates have rocked. We do our best to play a great show and the audiences seem to appreciate that. My personal goal is to give the kind of performance I'd like to see and hear if I went to see a band. We're all entertainers and show offs so we go that extra step!

You stated that the Swingers were formed as a way of "getting a free holiday to Australia", what's the story?

I kept a diary at the time. (NOTE: this will be published separately so keep checking back! Rob)

You previously reformed Supernaut who are obviously well known in Australia so why did you decide against another reformation in favour of the International Swingers for this tour?

 Supernaut reformed for a tour in 2007. It was a kind of package with a lot of other acts who had been popular at the same time. There was a TV pop show called Countdown and we were regulars on it. I hosted it loads of times. It went well and it was great to hang out with old mates. Our final show was in Perth, where we had played our first gigs as school boys. Also Hank Marvin was there and the first rock act I'd ever seen was Cliff and the Shadows, with my mum at The London Palladium. So it seemed to wrap the Australian thing up nicely. Then late 2011 it was suggested we do another tour but most of us decided against it and that's when the promoter asked if I had another band. James was at my house at the time and there The International Swingers begins.

When and how did you first meet Glen Matlock?

I met Glen in the late 80's through Bernard Rhodes, who was managing me and my band Twenty Flight Rockers. Bernard wanted us to start a project for his label, Sacred. We recorded a few songs and "Bike Boy" was released as a single. I like Bernie but didn't work out quite how I wanted.

Dead Horse were similar to The Swingers in being a punk "supergroup" featuring The Damned's Rat Acabies and Generation X's Derwood Andrews with yourself and Glen - was this idea the genesis for The International Swingers?

Glen and I got together with Derwood and Rat with the idea of starting a new band. Bernie wanted to be involved in that too. We wrote and recorded some songs and even had some US dates in the works, then the Sex Pistols reformed, and that was that. There's one song from the time called "Fools Holiday" I wouldn't mind doing with The Swingers.

When did you first meet James, was it during his Generation X days?

I met James when he was in Gene Loves Jezebel and I was in TFR. There was a great London club scene in the 80's, lots of venues and live music. I think we first met at The Greyhound or The Embassy. No doubt Mark Laff, Mick Rossi, Bomber Harris and all the usual suspects were there too.

You seem to have a long history with Generation X having played with James, Derwood Andrews and in Twenty Flight Rockers with Mark Laff. Were they friends of yours before or did it just happen that way?

I'd had enough of Australia and moved back home to London. The final year or more of Supernaut had been pretty traumatic for me, lots of back biting and jealousy so I wasn't really sure what I wanted to do next other than to get away. I was in a club on Wardour Street one night and bumped into INXS who asked what I was up to. One of the guys introduced me to Mark Laff. We hit it off and before long we were checking out guitarists and bass players all over town with the aim of forming the best rock and roll band ever.

We used to go to Tony James' place to rehearse and often it'd be me, Mark, Tony and Neil X playing together while they were working on Sigue Sigue Sputnik. I met Derwood around the same time too. He was looking for a hot girl singer and I introduced him to my friend Elizabeth Westwood and hey presto they became Westworld.

Twenty Flight Rockers split before their time in my opinion, what happened and why do you think you never seem to get the recognition you deserve?

Thanks. TFR, it was a brilliant band to be in. We were all really tight as friends and players. The fans loved us because we gave them some great balls to the wall rock and roll, which was severely lacking in those Goth days. We just never had much luck with record companies or management. Then Bernie got involved and more or less tore the whole thing down.

We were a really strong live, visual group and it's a shame there was no MTV in the UK at that time. Could have been a different story.

(NOTE: I will be posting Gary's "Bernie Rhodes and me" piece in the near future - keep checking back! Rob)

Why is it so hard to get hold of the Twenty Flight Rockers back catalogue at the moment?

There isn't much to get I'm afraid. We released "Tower Block"/"Weekend Revolution" on John Curds' ABC, then WEA did a shit job of putting out our next single. I made a record called "Ride" with Bernie and a bunch of hired guns for CBS that was billed as TFR but that didn't come out either because of some political bullshit that I can't really expand on.

Someone put out a version of the LP and some demos without my knowledge or permission. I've got a great copy of our unreleased live album, "Nine Yards Of Dead Cow". If anyone reading this wants that I'll send them a download link.

What is the latest on The International Swingers album?

We want to record a proper album of original songs. I guess funding is one issue, plus fitting it in with everyone's schedules. We are looking into the idea of doing a kick-starter kind of thing. That way we can pay for recording costs etc and know that folks on-board really want to hear the music. The Lexington show really opened my eyes to the fact that direct contact with your fans is the way to go.

How many tracks are potentially written for the album?

We are currently playing about eight new songs in the live set but we've got a bunch more. Easily enough for an album. I write all the time, as does Glen, so I'm hoping we end up with loads of extra tracks that we can pass them on to the fans as bonus songs, or whatever. Also I've still got songs hanging around from TFR that a re perfect for The Swingers. James and I worked up a song called "Subway Train" that I'm looking forward to playing with Clem and Glen.

When can we expect to see the album released?

With a bit of luck we will record the album late this year and release it soon after. I'm pushing to record it at The Foo Fighters studio 606 in Los Angeles.

Will you include any of the re-workings or cover versions from your live sets on the albums?

Anything is possible, although I think we all agree we want to record new material. Personally if we have enough new songs recorded and there's time I'd be up for putting some cool covers in the bad. I know for a fact that Clem would be up for it. He and I are both big fans of roots and rockabilly and love to play some Elvis or Little Richard whenever possible. I'd like to record our version of "All The Young Dudes" too. I think we give it a fresh approach and James' guitar is simply phenomenal on that song. He really is a proper guitar hero and the sooner Gibson come out with a James Stevenson signature Les Paul the better!

And where's the Glen Matlock P Bass too?

Has there been any discussion of making the album a live recording rather than a studio one?

I was tempted to put out the "Live in Sydney" recording but I'm glad we didn't because the group is so much better now.

How did you break into the film industry and how much of your time is spent working with placing music in upcoming movies?

I've had songs in film and TV before. It's all about who you know and I live near Hollywood so I guess I'm close to the scene.

"F.B.I." will feature in "Homecoming" starring Jason Statham next year, for a band without a record out yet this must be a major coup?

A good mate of mine is a pretty big Hollywood producer, though I've never bugged him to use my songs. His name is John and he loves rock and roll and The International Swingers and kindly passed along our recordings to a music supervisor and bam, there's "F.B.I." in next summers action blockbuster!

Has Clem booked his stand up tour yet?

Clem is very quick witted and smart, which I guess are both key to doing stand up. We have a few routines and banter at live shows. He often offers to translate what ever Glen, James and I say on stage for the American audiences. We pulled the same one on him at the London show translating his Americanisms into British English. It's all in fun.

There seems to be a brilliant camaraderie between the four of you on stage, has this resulted in any practical jokes?

There are a lot of laughs sure but we take what we do seriously and, believe me, we work hard to get the musical performance tight before anything else comes into play.

What are your plans for the rest of the year?

As I said earlier, James is with the Cult util late October, although he and I will get together to write mid September before he goes to Australia. Clem is with Blondie through early November and Glen had solo stuff going on to promote his new best of album. Right now we are making plans for November and December and, I hope, much of next year.

We want to tour the UK and there's talk of Australia and Japan too.

In my time I've been lucky enough to work with some great players but nothing has ever felt so good and right to me as The International Swingers. It's like being in your first band, when you just get together with your best mates from school and play for fun. As Clem said, no one answered an advert or auditioned for this group. It could only ever be the four of us.

                                         Gary Twinn, thank you very much!




Sunday, 28 July 2013

James Stevenson interview available to stream (for a limited time!)

The interview with James Stevenson and Clem Burke broadcast on the Liz Kershaw show on BBC Radio 6 is available to stream for the next week (and counting down each day!).

The pair discuss The International Swingers in the latter part of the show (fast forward to 1.42.30 ish!) including how they came together and the recent exclusive gig at The Lexington.

Listen now at http://www.bbc.co.uk/programmes/b037jf6q

Sunday, 21 July 2013

The International Swingers - The Lexington London 19th July 2013

The International Swingers performed their live UK (and indeed European) debut at The Lexington in London on Friday. It was a gig with a difference, rather than go for a bigger venue they decided on a low key event for friends and family with fans having the opportunity to win these exclusive tickets via answering questions on the bands Facebook page. It was an amazing night, very relaxed and the Swingers were on fire and had obviously come to party!

The Rebelles opened (Tracie Hunter, Phoebe White & Anna Randall) who describe themselves as a punk harmony trio and were great, only a half hour set that seemed to fly past all too soon with renditions of classics such as "Pretty Vacant", "Teenage Kicks" and "Should I Stay Or Should I Go?" Tracie and Phobe would return to the stage to join The International Swingers singing "All The Young Dudes" made famous by Tracie's dad Ian with Mott The Hoople - this apparently wasn't planned they just joined in!

Check out the band at http://www.rebellesmusic.com/ and via Facebook and Twitter and definitely see them if you get the chance!


The Rebelles












Tracie Hunter

















Phobe White







Anna Randall






















The Swingers set was a mix of original material....including the 3 tracks made available on their site "FBI", "Live Wire" and "Gun Control" and re-workings of tracks from their respective bands including a storming version of Blondies "Call Me" and the obligatory "Pretty Vacant" which went down a storm. Clem even sings on one of the songs from his days in The Romantics as well as trying to see if he has a possible career doing stand up! The rest of the set is made up of inspired covers such as The Monkees "(I'm Not Your) Steppin' Stone" - Americas first punk band as the Swingers would have it!

There will still be a wait for the album but considering the band was put together as a way of "getting a free holiday in Australia" we are lucky to have them progressing and bearing fruit with quality material of their own. As James is now with The Cult for the Electric 13 tour it may be a while before we see the album or more dates but hopefully next time more people will get the chance to see them - whenever it is the wait will definitely be worth it.